So as I mentioned, I am currently searching for work.
Did I mention that?!!?!? ...
Since the options in the midwest are pretty slim at the moment, and since there was a theatre that was interested in seeing me in New York City for a theatre production in the fall, I decided to spend a little dough and head to the big apple for a week.
I drove 700 miles last Sunday (March 2nd,) parked Gwendolyn (my new used 1999 Oldsmobile 88 - she did quite well, BTW, managing 31 miles to the gallon on one tank of gas - YAY!!!) at Tom's River, NJ for a week and bussed the rest of the way in via New Jersey Transit.
Special thanks to Quincy, Jeff and Kara for providing a roof over my head for the week.
Highlights: The Barter Theatre audition seemed to go pretty well. I went a little risky, doing a song that was prepared, but had never been performed before a group before. I also took my tenor guitar and played a little Carter family music, for consideration for possible appalachian musicals in future seasons.
On the last day, Cornell University was holding open auditions for their RPTA program (Resident Actor/Teacher) and I was CALLED BACK! This, even though, even at the last second I was simply thinking about wrapping the week up, I was tired, and thought about bowing out, but they did remember me from 2 years before, when I got called back by them. This is a great year round acting opportunity, as well as teaching experience!
Saw a couple of shows while in New York:


I might add that I got these from the TKTS booth, and if you look at the upper left corner area, these are half off!!! and still $50 ... OUT OF CONTROL!!!
Loved The Seafarer! Conleth Hill is a comedic GENIUS! (and I have NEVER used that word lightly.)
Not such a big fan of Rock 'N' Roll. It's a bohemoth production, but seems like a smaller play than it was produced as. It did make me go out and get the script, so that I could see what I missed. Had difficulty hearing some of the actor, in particular Rufus Sewell (Sorry, Jill!) I did think that Brian Cox and Sinead Cusack were wonderful though, but the production sure seemed like it needed to be more intimate. Lots of talking going on, but I felt a lot of times like, "Who cares!," which I didn't enjoy feeling, since the crux of the play involves the breaking away of Czechlosovokia from Communism, and freedom of speech, all of which are very important issues, but I couldn't figure out why THESE particular characters were bringing the subjects up.
If the playbill involves a 2-4 page pamphlet which talks about the issues, I knew I was in trouble.
Glad I have the script, so I can read it on my own time and at my own speed.
Here is one of my favorite places to eat in New York:

And here is the reason why ... slices of the Nonna Maria pizza ... soooo good

Other highlights: hanging out with old friends. Such as my friend, Wayne Pyle, who worked with me many many many moons ago at the Wisconsin Shakespeare Festival.


So ... well ... we'll see .. all in all .. I think it was a worthwhile trip ... especially if I can get a job or two out of it.